Staatsballett Berlin
Nurejew at Staatsballett Berlin
A gay Soviet defector, a ballet banned in Russia, a director now based in Berlin—and a premiere that felt like the most important cultural event of the season.
Staatsballett Berlin
A gay Soviet defector, a ballet banned in Russia, a director now based in Berlin—and a premiere that felt like the most important cultural event of the season.
Neuköllner Oper
Two traditions, one stage, and the quiet insistence that spring, contradiction, and simultaneity don't need your permission.
Staatsoper Berlin
A rotating enchanted forest, a Giovanni who bleeds through the whole opera, and the production that knocked the wind back into my opera-tired lungs.
Komische Oper Berlin
An opera about not getting over a crush—and a production so gorgeous it makes 150-year-old heartbreak feel like yesterday.
Deutsche Oper Berlin
Psychoanalysis as science fiction: rooms within rooms, each one a door into what you've buried—some doors you open, and some you don't.
Staatsoper Berlin
Berlin’s queer aesthetics, stripped of queerness—a glossy appropriation where underground culture becomes set dressing for straight comfort.
Staatsballett Berlin
A hypnotic descent into Berlin’s queer club culture—where wonder carries the weight of otherness, and belonging is never guaranteed.
A bold, stripped-back Carmen that reclaims, reframes, and reimagines—queer, critical, and culturally aware in all the ways opera should be today.
A searing, harrowing, emotionally devastating production that turns Mussorgsky’s opera into a portrait of complicity, grief, and the cost of silence.
A surreal meditation on loss and memory, Lash lingers in the echo of a vanished presence—fractured voices, flickering images, and the intimate textures of a body learning to live again.
A hallucinatory journey through guilt, lust, and liberation—set in a liminal world where spirits linger, identities blur, and music becomes a final act of grace.
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Between night and light, between longing and annihilation, lies a space where love becomes both wound and salvation.
Between marble grandeur and moral decay, a centuries-old story of charm and cruelty becomes a mirror for power, privilege, and our age of artifice.
Between camp and complicity, this production plays with tropes it should interrogate—and ends up reinforcing the very norms it claims to question.
A libertarian fever dream becomes a masterclass in why community is our only defense against collapse—and fascism.
A stirring Werther finale doubled as farewell and protest, as Berlin’s mayor applauded opera amid massive cultural budget cuts.
A genre-defying, politically charged performance that reclaims and reframes American identity through music, imagery, and unapologetic cultural ownership.
A bold, stripped-back Carmen that reclaims, reframes, and reimagines—queer, critical, and culturally aware in all the ways opera should be today.
A meditation on individual agency and love, caught and ground down between the machinery of faith and the weight of worldly power.
A searing, harrowing, emotionally devastating production that turns Mussorgsky’s opera into a portrait of complicity, grief, and the cost of silence.
Power tilts, collapses, and reshapes in this searing production—a physical meditation on revolution, wealth, and who gets to fall.
A surreal meditation on loss and memory, Lash lingers in the echo of a vanished presence—fractured voices, flickering images, and the intimate textures of a body learning to live again.
Olivier Py’s production grapples with Empire and violence, but its chaotic staging at times drowns out Verdi’s emotional and musical clarity.